The construction boom and the particular architectonical styles applied in the past 25 years are witnesses to these political struggles of representation and identity politics (Molnar, 2010 Tölle, 2010 Ward, 2004). 282) and finding a sense of identity for Berlin and a reunited Germany. In fact, much cultural politics in the city is about contested ideas of collective memory, the ‘cultural legitimacy of various historical layers of the city’s architecture’ (Molnar, 2010, p. Berlin was very much influenced by the Allies and their cultural politics as well as the overall cold war situation that separated the city and its citizens and still hampers attempts to find a common identity (Lanz, 2013). This paper aims to trace Berlin’s cultural policy development in the past 70 years und its main influence such as political, military and demographic factors that shaped the specific situation of Berlin. In addition, there have been several different political levels engaged in the cultural policy processes throughout that history. After the Fall of the Wall in 1989 and the subsequent reunification, one cultural system almost disappeared overnight while the other claimed sole and exclusive interpretation of arts and culture in the city. Lecturer in Culture and Creative Industries – City University London – School of Arts and Social Sciences – Department of Sociology – Center for Culture and the Creative Industriesīerlin’ cultural policy in the past 70 years provides an extreme case of cultural policy-making with multiple objectives that ranges from heteronomous cultural policies set out by the four Allies, who won World War II and took over de jure control of the city as an military occupied zone until 1990, to a city divided and formally belonging to two different German states in which both governments mobilized arts and culture to represent the superiority of their respective political system and highly subsidized it.
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